The Black Dahlia
Nominated for Best Cinematography

The Cinematography is good in that it follows all the Film Noir traditions. Shooting through windows, rooms lit only by sunlight streaming through blinds, faces mysteriously covered in shadow while the rest of the person is plainly visible. There's also a few De Palma traditions. A POV shot from Hartnett's eyes that lasts a good 2 minutes without an edit. It's good cinematography, a bit "by the book," and probably not deserving an Academy Award. C
The Cinematographer was old pro Vilmos Zsigmond, who won an Oscar back in 1977 for shooting Close Encounters of the Third Kind, and was nominated in '79 for The Deer Hunter and '85 for The River.
No comments:
Post a Comment